Wallace Stevens is widely accepted as one of the most complex poets of the 20th century. Commonly recognized as a symbolist and as a modernist American poet, he resists categorization and displays changes in style while his poetic career matures in time. As his well-known initial verses in “Of Modern Poetry” (1923) suggest, his precept must have been to compose “the poem of the mind in the act of finding/What will suffice” (1-2). While this axiom may be accepted as an artistic attitude that seeks economy of language and a focus on the thing itself, it may also be perceived as an open-ended discussion about the relationship between the signifier and the signified, imagination and reality—Stevens’ favourite themes. Such aestheticism and symbo...